The plants most likely to survive an atomic bomb, and the first ones to grow back after one, are ...

creative face Berlin Loves Art: MIE OLISE 'Afflicted Fallout' at DUVE Berlin

The plants most likely to survive an atomic bomb, and the first ones to grow back after one, are ...

physicists bohr & heisenberg
Physicists Bohr & Heisenberg
"The plants most likely to survive an atomic bomb, and the first ones to grow back after one, are the Vicia Sepium and Taraxacum Officinale"

For the Gallery Weekend DUVE Berlin touches a burning issue with the second solo exhibition by Danish artist, MIE OLISE. The exhibition titled 'Afflicted Fallout' presents new works of painting, drawing and sculpture that investigate, reflect and interpret one of the most controversial moments in the history of science and the development of the atomic bomb.  

'Afflicted Fallout' revisits a meeting that occurred in 1941 between two physicists, Niels Bohr and Werner Heisenberg in Copenhagen at The Niels Bohr institute, within Niels Bohr's private office and in Auditorium A. Olise's artwork invites the viewer inside this location, providing a seemingly haunting insight into the space once occupied with scientific minds, research and now political and social controversy.§ The meeting of 1941, historically remains of scientific importance, as it signified a turning point of moral, political and scientific concern during the quest for nuclear power on the brink of World War 2. This meeting between the two great minds has later been referred to as 'The Copenhagen Fall Out'.

Bohr and Heisenberg worked together since 1924 and had an intense professional relationship, they mentored and collaborated with many of the top physicists of the century and both won the Nobel Prize. Later they were separated by war, Heisenberg in Berlin and Bohr in Copenhagen. In 1941, Heisenberg came to Bohr with the question concerning the possibility of creating the nuclear bomb. "Could one do that in the name of science, regardless of politics?" Bohr refused to talk to Heisenberg and never wanted to discuss this topic again. After the war Heisenberg never got Bohr to solve the differences they had that day in 1941.

Heisenberg went back to Germany, and never made the atomic bomb. Bohr, now believing that Heisenberg was making the atomic bomb for the Nazis, made contact with the British Intelligence, who assisted his immigration to the UK and America, whereby Bohr assisted the allied forces to build the first atomic bomb. That bomb was later dropped over Hiroshima on August 6, 1945.

Bohr and Heisenberg aimed at creating a better world through science. However their relationship and the "The fall out" has so many layers. Bohr was Jewish and politically active during World War 2. Heisenberg was working for the Nazis without agreeing with them but wanting to be inside rather than outside in order to make a difference. Both had the intellect and knowledge to develop the bomb, but were politically and morally torn apart. They didn't meet each other in agreement, and the disagreement is a very sad one - they never saw the other's positive intentions. Not only was the 'Copenhagen fallout' a moment that changed the course of scientific history, but Bohr and Heisenberg suffered their own personal fallout of friendship. It was a ¬friendship destroyed from a lack of communication leading to a terrible consequence. It was not until many years after both men died, the last part of the argument is revealed in Bohr's books, drafts of unsent letters were found, written by Bohr, intended for Heisenberg, but were never sent.

MIE OLISE went to investigate the two specific meeting-points at The Niels Bohr Institute for Bohr's and Heisenberg's 1941 meeting. 'Afflicted Fallout' presents 11 paintings, which are interpretations of details of the two specific architectural spaces accompanied by small paintings of plants that would survive a possible nuclear fallout. During the exhibition visitors will also find a tiny silver sculpture that contains a microfilm coding map, inspired by the microfilm coding of the British intelligence used to communicate with Bohr during his time in Copenhagen.

The concept for 'Afflicted Fallout' was realised in December 2010 and accomplished in January 2011 - this exhibition is not a reaction to the current tragedy Japan faces as a result of nuclear power and natural disaster. The exhibition is a reflection and representation of the artists ongoing personal concern of nuclear power and its social relevance today. The exhibition aims to provide a discussion platform and a ground of thinking that bridges political, social and ecological concerns.

MIE OLISE was born in 1974 in Denmark, she currently lives and works in Brooklyn, New York where she is undertaking the ISCP - International Studio and Curatorial Program. Mie obtained her Masters of Fine Arts at St. Martin's College of Fine Art in London and a Master degree in architecture at the Aarhus School of Architecture, Denmark. Mie has upcoming solo-exhibitions at the Kunsthalle Nikolaj, Copenhagen Contemporary Art Centre and at Honor Fraser gallery in Los Angeles. She has previously had solo exhibitions at Ny Kunst Museum (SNYK), New Museum of Contemporary Art in Denmark and at Barbara Davis gallery, Houston. Olise has also had group exhibitions at Ystad Museum of Art, Sweden, the Ovengaden Institute for contemporary Art in Copenhagen and participated at the Istanbul Biennial in 2007, the Liverpool Biennial in 2008 and the Whistable Biennale in 2010.
art, berlin, berlin loves, magazine
Work by MIE OLISE / Courtesy DUVE Berlin Work by MIE OLISE / Courtesy DUVE Berlin
Können wir wirklich mit Transparenz umgehen?Can we really deal with transparency?

creative face Berlin Loves Art: IRIS TOULIATOU bei DUVE Berlin

Können wir wirklich mit Transparenz umgehen?

iris touliatou touliatou11 at duve berlin on the breaking act of seeing through and through the other side of grounds and things / courtesy duve berlin
IRIS TOULIATOU 'touliatou11' at DUVE Berlin ''On the Breaking Act of seeing Through and Through the Other side of Grounds and Things' / Courtesy DUVE Berlin
"Montage ist Kollision. Der Konflikt von zwei Dingen welche im Gegensatz zueinander stehen. Eine Sichtweise bei welcher aus zwei gegebenen Faktoren ein Konzept entsteht." (Sergei Eisenstein)

In der ersten Einzelausstellung der in Griechenland geborenen und in Paris lebenden Künstlerin IRIS TOULIATOU in Deutschland unter dem Titel 'On the Breaking Act of seeing Through and Through the Other side of Grounds and Things' bei DUVE Berlin, knüpft die Künstlerin an früheren Projekten an und hinterfragt die utopischen Ambitionen des Modernismus und die fiktionale, dramatische Natur von Architektur durch deren Verbindung zum Kino. Diese neue Serie von Arbeiten basiert auf Sergei Eisensteins Szenario zu 'Das Glashaus' (1926 - 1932), einem Film, den der ehemalige Architekt und Vordenker unter den Regisseuren jedoch nicht mehr realisieren konnte. Neben einer Künstlerpublikation in limitierter Auflage zeigt die Ausstellung neue Skulpturen, Zeichnungen und Collagen.